Maria Thereza Alves

 
Land
Recipes for Survival
Communal
Destabilizers
Birds
Seeing you
Water
Utopia
We
Borders
Plants
X

Texts about Alves

¡Ya basta! Ecologies of Art and Revolution in Mexico. T.J. Demos

in: Decolonizing Nature: Contemporary Art and the Politics of Ecology. Berlin 2016

“Wake” De Maria Thereza Alves: Palabra Y Proceso Vegetal, Saberes En Expansión. Teobaldo Lagos Preller

in: Revista de Estudios Globales y Arte Contemporáneo, Vol. 3, Nr. 1. Barcelona 2015

Maria Thereza Alves: “Ya solo preocupa producir a gran escala”. Juan Bosco Diaz-Urmeneta

in: El País. Madrid February 14, 2015

Maria Thereza Alves: Centro Andaluz de Arte Contemporáneo (CAAC). Miguel Amado

in: Artforum. New York 2015

text (WEB English)

Maria Thereza Alves: Centro Andaluz de Arte Contemporáneo, Seville. Max Andrews

in: Frieze No. 170. London 2015

text (WEB English)

El regreso de un Lago: Arte Contemporánea Ecología Política en México. T.J. Demos

in: Rufián Revista, No. 17. Santiago de Chile January 2014

text (WEB Spanish)

The Lake that disappears, the Lake that emerges: "The Return of the Lake" by Maria Thereza Alves. Teobaldo Lagos Preller

in: A*Desk. September, 2013

text (WEB English)

The Return of a Lake. Maria Thereza Alves at dOCUMENTA 13, 2012. Exhibition Review. Richard William Hill

in: Public: Art, Culture, Ideas. No. 47. Toronto 2013

text (PDF English)

Contemporary Art and the Politics of Ecology. T.J. Demos

in: Third Text. Vol. 27, Issue1. London 2013

The importance of words and actions. Jean Fisher

in: Maria Thereza Alves. Nantes 2013

text (PDF English)

Stubborn Waste. Catalina Lozano

in: Maria Thereza Alves. Nantes 2013

text (PDF English)

Iracema (de Questembert). Emmanuelle Chérel

in: Maria Thereza Alves. Nantes 2013

They want it. Emmanuelle Chérel

in: Maria Thereza Alves. Nantes 2013

text (PDF English)

"Una Documenta más…". Cuauhtémoc Medina

in: Reforma. Mexico City June 20, 2012

The Museum of European Normality. Contemporary Art and the Visual Construction of European Identity. Giulia Grechi

in: Cultural Memory, Migrating Modernities and Museum Practices. Milano 2012

Space is a Doubt. Coltivare Nuove Relazioni: Maria Thereza Alves, Seeds of Change e Wake. Viviana Gravano

in: Roots§Routes, Research on Visual Cultures (online) Rome and Milano 2011

text (WEB Italian)

The Ecosophy of Maria Thereza Alves. Pascal Beausse

Paris 2009 (press release)

Migration's Silent Witnesses. Jean Fisher

in: Plot: confluens three. London 2008

text (WEB English)

→ Fisher published a similiar version of this text in 2009 in the catalogue "Going Public '08. PortCitySafari" (Milano 2009) titled Maria Thereza Alves - Seeds of Change: Marseille Migrations's Silent Witnesses.

Beetroot Baroque. Vegetables from Germany – It's a Matter of Taste / Runkelrübenbarock. Gemüse aus Deutschland – Da kommt Geschmack auf den Tisch. Silke Opitz

in: Maria Thereza Alves. What is the Color of a German Rose? / Welche Farbe hat die deutsche Rose? Gera 2007

The Whole Truth. Max Andrews

in: Frieze No. 108. London 2007

The Artist And Where She's At. Reflections on "What is the Color of A German Rose?" and Other Videos by Maria Thereza Alves. Jen Budney

in: Wherever We Go. Art, Identity, Cultures in Transit / Ovunque andiamo. Arte, Identità, Culture in Transito. Milano 2006

Thing-Process. Jen Budney

in: Thing-Process. Zagreb 2003

text (PDF English)

Lines Converging: the urgent ethnography of Maria Thereza Alves' "Brazilian Recipes". Jen Budney

Ottawa, Ontario 2000 (unpublished typoscript)

Sensing the Zinneke. Joe Scanlan

in: Minus One Dimension: Zinneke Reflections. A project by Maria Thereza Alves. Brussels 1997

A Texture of Wounds. Piet Coessens

in: Minus One Dimension: Zinneke Reflections. A project by Maria Thereza Alves. Brussels 1997

Nowhere. Guy Brett

in: Nowhere. London 1993

text (PDF English)

Meten a regios en su travesía. Marcela Garcia Machuca

in: El Norte. Monterrey October 6, 1992

Una muestra de arte ocupará las calles y plazas del centro durante un mes. Lucía Enguita

in: El País. Madrid April 19, 1992

Maria Thereza Alves and Jimmie Durham. Luis Camnitzer

in: Ante América. Regarding America. Bogotá 1992

El arte a través de su proprio cuerpo, propósito vivencial de Ma. Teresa Alves. Maria Eugenia Mondragón Mundo

in: El Nacional del Sur. Mexico City August 3, 1989

Hay tantos ecologistas que su lucha hay devino en utopia. Angélica Abelleyra

in: La Jornada. Mexico City March 3, 1991

No Tan Roja Marco Lara Klahr

in: El Financeiro. Mexico City September 9, 1991

Chico Mendes. Los Anti-Heroes Y La Ley De Gravedad. Jimmie Durham

in: Maria Thereza Alves. Chico Mendes. Mexico City, MX 1991

Muchas Nueces, Pouco Ruido/ III y última. José Springer

in: UnoMásUno Mexico City January 12, 1991

text (PDF Spanish)

Post Eldorado Amazonas. Marco Antonio Rueda

in: El Universal. Mexico City March 5, 1991

Chico Méndes, los antihéroes y la ley de gravedad. Carlos Martinez Renteria

in: El Universal. Mexico City September 12, 1991

Guia Plastica / Alves en el Amazonas. Merry Mac Masters

in: El Nacional. Mexico City March 7, 1991

Chico Mendes No Es Propiedad Intellectual. Ana Maria Longi

in: Excelsior. Mexico City September 12, 1991

La continua búsqueda por la `Utopía`. Jimmie Durham

in: Maria Thereza Alves. Instalaciones y Fotografías. Mexico City 1991

Maria Thereza Alves. Oliver Debroise

in: Maria Thereza Alves. Instalaciones y Fotografías. Mexico City 1991

text (PDF Spanish)

No soy su madre. José Springer

in: UnoMásUno Mexico City 1990

text (PDF Spanish)

Maria Theresa Alves y su busquada autodenunciada. Juan Pablo Picazo

in: Opcion de Morelos. Cuernavaca July 8, 1989

Fotografia refleja una realidad. Adriana Mujica

in: a.b.c. Cuernavaca July 8, 1989

Where Politics Meets Creativity. Helen A. Harrison

in: The New York Times N.Y. October 20, 1985