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Maria Thereza Alves
CV
Exhibits
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Works
Texts & Interviews by Alves
Texts about Alves
People & Projects
Contact & Imprint
Maria Thereza Alves
☰
Land
Recipes for Survival
Communal
Destabilizers
Birds
Seeing you
Water
Utopia
We
Borders
Plants
X
Seeing you
0°0°°
A Brief History of Colonialism
An Accounting
A Question of Aesthetics and Colonization
‘As a lexicographer, I am always aware that words are the daughters of earth, but objects are the sons of heaven.’ Samuel Johnson
Beyond the Painting
Brazilian Information Center
Bruno and The Burning Bush
Cowboys
Direct and Circumstantial. Relevant Evidences in Naples, Butia, Kassel and Ubatuba
Eu e os Matarazzos (Me and the Matarazzos)
Gris
Iracema (de Questembert)
Killing Floor
Machine Désirante [Desiring Machine]
Monumento aos Bandeirantes
Museum of European Normality
Non sono d’accordo / I Don’t Agree
No soy su madre (I Am Not Your Mother)
Oculesics
Part One
Pira he
Rio Doce: Sweet No More
Tchám Krai Kytõm Pandã Grét (Male Display Among European Populations)
The Artist as Bandeirante
The Contract… (It is unfortunate that we feel ourselves in need of contracts to carry on our work as artists)
Thieves and Murderers in Naples: A Brief History on Families, Colonization, Immense Wealth, Land Theft, Art and the Valle de Xico Community Museum in Mexico
Time, Trade and Surplus Value
Una proposta di sincretismo (questa volta senza genocidio) / A Proposal for Syncretism (this time without genocide)
Virginia Veracruz / Veracruz Virginia
Why here?
Tupã-Y Guaraní (Marçal de Souza)