Texts about Alves
Eine Welt, in die viele Welten passen. Text by Iván DaríoVargas Roncancio. Published in: ARCH+, Zeitschrift für Architektur und Urbanismus, Issue 250: The Great Repair – Politiken der Reparaturgesellschaft,
December 2022.
Book Review: Maria Thereza Alves, "Recipes for Survival".
Text by Nicola Gray, in: Third Text, Online Book Reviews, August 2020.
Borderless Histories. The Botanical Art of Maria Thereza Alves.
Text by Richard W. Hill, in: Third Text, Vol. 32, No. 2-3, 2018.
Secret Gardens. On Maria Thereza Alves’s Seeds of Change.
in: Artforum International, Vol. 56, No. 10, Summer Issue 2018.
Artist Maria Thereza Alves Is Charting the History of Migration in NYC Using Seeds.
in: The Observer New York, N.Y., November 7, 2017
¡Ya basta! Ecologies of Art and Revolution in Mexico.
in: Decolonizing Nature: Contemporary Art and the Politics of Ecology. Berlin 2016
“Wake” De Maria Thereza Alves: Palabra Y Proceso Vegetal, Saberes En Expansión.
in: Revista de Estudios Globales y Arte Contemporáneo, Vol. 3, Nr. 1. Barcelona 2015
Maria Thereza Alves: “Ya solo preocupa producir a gran escala”.
in: El País. Madrid February 14, 2015
Maria Thereza Alves: Centro Andaluz de Arte Contemporáneo (CAAC).
in: Artforum. New York 2015
Maria Thereza Alves: Centro Andaluz de Arte Contemporáneo, Seville.
in: Frieze No. 170. London 2015
El regreso de un Lago: Arte Contemporánea Ecología Política en México.
in: Rufián Revista, No. 17. Santiago de Chile January 2014
The Lake that disappears, the Lake that emerges: "The Return of the Lake" by Maria Thereza Alves.
in: A*Desk. September, 2013
The Return of a Lake. Maria Thereza Alves at dOCUMENTA 13, 2012. Exhibition Review.
in: Public: Art, Culture, Ideas. No. 47. Toronto 2013
Contemporary Art and the Politics of Ecology.
in: Third Text. Vol. 27, Issue1. London 2013
Iracema (de Questembert).
in: Maria Thereza Alves. Nantes 2013
"Una Documenta más…".
in: Reforma. Mexico City June 20, 2012
The Museum of European Normality. Contemporary Art and the Visual Construction of European Identity.
in: Cultural Memory, Migrating Modernities and Museum Practices. Milano 2012
Space is a Doubt. Coltivare Nuove Relazioni: Maria Thereza Alves, Seeds of Change e Wake.
in: Roots§Routes, Research on Visual Cultures (online) Rome and Milano 2011
The Ecosophy of Maria Thereza Alves.
Paris 2009 (press release)
Migration's Silent Witnesses.
in: Plot: confluens three. London 2008
→ Fisher published a similiar version of this text in 2009 in the catalogue "Going Public '08. PortCitySafari" (Milano 2009) titled Maria Thereza Alves - Seeds of Change: Marseille Migrations's Silent Witnesses.
Beetroot Baroque. Vegetables from Germany – It's a Matter of Taste / Runkelrübenbarock. Gemüse aus Deutschland – Da kommt Geschmack auf den Tisch.
in: Maria Thereza Alves. What is the Color of a German Rose? / Welche Farbe hat die deutsche Rose? Gera 2007
The Whole Truth.
in: Frieze No. 108. London 2007
The Artist And Where She's At. Reflections on "What is the Color of A German Rose?" and Other Videos by Maria Thereza Alves.
in: Wherever We Go. Art, Identity, Cultures in Transit / Ovunque andiamo. Arte, Identità, Culture in Transito. Milano 2006
Lines Converging: the urgent ethnography of Maria Thereza Alves' "Brazilian Recipes".
Ottawa, Ontario 2000 (unpublished typoscript)
Sensing the Zinneke.
in: Minus One Dimension: Zinneke Reflections. A project by Maria Thereza Alves. Brussels 1997
A Texture of Wounds.
in: Minus One Dimension: Zinneke Reflections. A project by Maria Thereza Alves. Brussels 1997
Meten a regios en su travesía.
in: El Norte. Monterrey October 6, 1992
Una muestra de arte ocupará las calles y plazas del centro durante un mes.
in: El País. Madrid April 19, 1992
Maria Thereza Alves and Jimmie Durham.
in: Ante América. Regarding America. Bogotá 1992
El arte a través de su proprio cuerpo, propósito vivencial de Ma. Teresa Alves.
in: El Nacional del Sur. Mexico City August 3, 1989
Hay tantos ecologistas que su lucha hay devino en utopia.
in: La Jornada. Mexico City March 3, 1991
No Tan Roja
in: El Financeiro. Mexico City September 9, 1991
Chico Mendes. Los Anti-Heroes Y La Ley De Gravedad.
in: Maria Thereza Alves. Chico Mendes. Mexico City, MX 1991
Muchas Nueces, Pouco Ruido/ III y última.
in: UnoMásUno Mexico City January 12, 1991
Post Eldorado Amazonas.
in: El Universal. Mexico City March 5, 1991
Chico Méndes, los antihéroes y la ley de gravedad.
in: El Universal. Mexico City September 12, 1991
Guia Plastica / Alves en el Amazonas.
in: El Nacional. Mexico City March 7, 1991
Chico Mendes No Es Propiedad Intellectual.
in: Excelsior. Mexico City September 12, 1991
La continua búsqueda por la `Utopía`.
in: Maria Thereza Alves. Instalaciones y Fotografías. Mexico City 1991
Maria Thereza Alves.
in: Maria Thereza Alves. Instalaciones y Fotografías. Mexico City 1991
Maria Theresa Alves y su busquada autodenunciada.
in: Opcion de Morelos. Cuernavaca July 8, 1989
Fotografia refleja una realidad.
in: a.b.c. Cuernavaca July 8, 1989
Where Politics Meets Creativity.
in: The New York Times N.Y. October 20, 1985